Why
Economic growth is a key government objective both locally and nationally. By increasing and distributing wealth, people will have greater opportunities and be able to lead more fulfilling lives. Low social mobility is particularly acute in South Dorset, leading to physical, mental and social challenges that can be lifelong.
Culture plays a role in generating economic growth. The sector creates paid opportunities, both for creatives and for those working to enable cultural activity. It is a strong sector in which to start and grow a business. Since 2010, the creative industries nationally have grown by more than 50% (against a UK average of 21.5%). In the Great South West region, the creative industries generate £2.7 billion in Gross Value Added (GVA) annually.
Culture boosts tourism. Nationally, heritage-led tourism alone generates £16 billion from domestic tourists and £12.5 billion from international tourists each year. In Dorset, tourism overall generates £945 million for the local economy. Yet the offer is seasonal. Culture attracts people to Dorset in the darker months of the year, creating more year-round employment opportunities.
Culture-led economic regeneration has been effective across the UK. As well as providing jobs and opportunities for people to experience culture, capital projects and festivals can change perceptions of place. At their best, they raise aspiration and ambition, support the development of new skills and create new employment opportunities.
Artificial intelligence is growing in value and use. Whilst recognising the tension with human creativity, there is an opportunity for the cultural sector to responsibly use new technology to increase the access and reach of its work.
Where we are now
Dorset is home to 660 arts, entertainment and recreation businesses. Dorset’s cultural sector provides employment for 4,200 people, with productivity per worker 19% higher than the UK average, from entry-level roles through to leadership positions.
There are opportunities for economic regeneration in Dorset’s market towns and in Weymouth, Portland and Chickerell, linked to Dorset Council’s Economic Growth Strategy.
Dorset has four Business Improvement Districts (BIDs) in Dorchester, Ferndown & Uddens, Weymouth and Wimborne. Dorset Chamber works across Dorset alongside local chambers in a number of Dorset towns.
Visit Dorset has Local Visitor Economy Partnership accreditation, leading the strategic development of tourism. Whilst there is good evidence of the impact of tourism overall on Dorset and anecdotal evidence of the value of the cultural sector to that impact, there remains an opportunity to strengthen the evidence base around the direct and indirect benefits of cultural tourism to Dorset’s economy, particularly outside the peak season.
Ambition
Culture drives economic development, innovation and opportunity across Dorset. The sector will be recognised by policymakers as a key contributor to economic growth, with strong integration between sectors, linking Dorset’s cultural assets, landscapes and visitor economy to attract investment and promote sustainable local growth.
Collaboration between business, culture and community will be enhanced.
The sector will work collaboratively to unlock new investment in activity and capital. National funders will contribute equitably to Dorset’s cultural sector. Creative industries will be supported to grow and relocate to Dorset.
The film sector will be supported to grow, both by attracting more national and international companies to film in Dorset and by enabling home-grown companies to start up and expand. Festivals and small-scale creative enterprises will flourish, boosting economic growth across Dorset.
Working with the tourism sector, culture will be used to attract more visitors to Dorset, particularly in the shoulder months, creating more year-round employment opportunities.
Working with educational institutions such as Arts University Bournemouth and employment schemes delivered through the Department for Work and Pensions, there will be an increase in employment opportunities through centralised apprenticeship, internship and work-experience schemes that help retain young talent.
Bespoke business development and training opportunities will be available for smaller organisations and sole traders, alongside networking opportunities. Barriers to work, such as low pay, insecure conditions and limited progression, will be reduced.
New technologies will be adopted by the sector in an ethical way, valuing artistic creativity whilst enabling cultural organisations to grow and culture to reach more people.
Outcome: Economic Impact of the Cultural Sector Increased
Measures
- Number and size of creative businesses, Companies House annual returns.
- Economic Impact Calculator, Event Impacts, annual reporting of cultural organisations.
- Evaluation of organisations undergoing periods of growth or development.
Outputs (2026 to 2027)
People: Development programme for individuals and organisations
Using examples from across the cultural sector, including inspiration from organisations within Dorset, support the diversification of income and commercialisation of cultural organisations and individuals, including investment opportunities for research and development of new products.
Place: Identify capital infrastructure needs for each town in Dorset
In some places this will mean maintaining existing infrastructure; in others it will involve creating new spaces for cultural activity. This will usually focus on buildings but may also include the wider public realm. These priorities will be aligned with wider economic development plans.
Process: Promotion of cultural tourism
Working with the tourism sector, position Dorset as a cultural destination, attracting more visitors, particularly in the off-season.
Case study
The Tank Museum, based in Bovington, Dorset, is one of the world’s leading military history museums, housing a remarkable collection of armoured vehicles spanning more than a century. As a registered charity, its mission is to preserve and share the history of tanks and the people who built and operated them through exhibitions, public events and education.
Like many cultural institutions, the COVID-19 pandemic in 2020 presented a significant challenge. Physical closure meant an immediate loss of ticket revenue and a risk to long-term sustainability. In response, the museum moved rapidly to expand its digital presence, using social media as a new frontline for engagement, fundraising and community building. The project was time-limited in its initial urgency, with the 2020 lockdown acting as a catalyst for creativity and innovation.
Building on its existing YouTube channel and social media platforms, the museum focused on producing consistent, high-quality content - from Tank Chats to livestreams and specialist features - designed to appeal to global audiences. This digital strategy was supported by diversified revenue streams, including YouTube advertising, Patreon memberships, corporate sponsorships and a strengthened e-commerce offer.
The results were transformative. Digital engagement became a major contributor to income, with over £2 million generated from non-visitors in 2023, significantly enhancing financial resilience. Online visibility - now reaching 1.3 million YouTube subscribers - also boosted physical attendance. Annual visitor numbers increased by around 70,000, peaking at over 220,000 in 2023, a 17% rise linked to the global awareness created by digital channels.
Staff growth mirrored this success, with the team expanding by 15 to 20 roles, particularly in digital production, marketing and e-commerce. This also enabled the museum to strengthen its core museum functions, creating new employment opportunities within Dorset’s cultural economy. Financial sustainability improved markedly through diversified income streams and increased turnover.
“Our online success has opened new avenues for engagement and income, securing our future and allowing us to bring the story of tanks to audiences worldwide while supporting sustainable cultural growth here in Dorset.”
Chris Price, CEO, The Tank Museum